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Time Move Over
Time Move Over
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Move Over
Move Over
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Move over
Move over
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Move Over Darling
Move Over Darling
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Move Over Darling
Move Over Darling
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Move Over Mountin
Move Over Mountin
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Move It On Over
Move It On Over
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Move It On Over
Move It On Over
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Move Over
Move Over
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Move Over
Move Over
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Move It On Over
Move It On Over
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Move Over
Move Over
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Move Over
Move Over
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Move It On Over
Move It On Over
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Move It On Over
Move It On Over
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Move It On Over
Move It On Over
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Move Over
Move Over
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Move Over
Move Over
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Move Over
Move Over
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Move It On Over
Move It On Over
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Move Over!
Move Over! : Teenage Manners Coming Through by Steff Steinhorst Published in 2001 by Resource Publications (CA)
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Move Over, Rover
Move Over, Rover
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Move It On Over
Move It On Over
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Move the Body Over
Move the Body Over
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Move It on Over [Country Stars]
Move It on Over [Country Stars]
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Move It on Over [Golden Stars]
Move It on Over [Golden Stars]
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Move It On Over
Move It On Over
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Move It On Over
Move It On Over
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Move the Body Over
Move the Body Over
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Move It on Over [Country Stars]
Move It on Over [Country Stars]
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Move Over, Darling
Move Over, Darling
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Move It on Over
Move It on Over
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Move It On Over
Move It On Over
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Move It on Over [Golden Stars]
Move It on Over [Golden Stars]
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Move Over Darling
Move Over Darling
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Move Over Darling
Move Over Darling
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Move It On Over
Move It On Over
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Move Over! Princess Coming Through!
Move Over! Princess Coming Through!
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Move Over! Princess Coming Through!
Move Over! Princess Coming Through!
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Move Over!
Five animal friends set out in a raft, and there's plenty of space. Then a voice pleads "Move over! Move over! Make room for me." So they all move over--and no one falls out. But then another pal begs to come in. And another. Yet even with Hippo aboard, all is well. But sometimes it's the tiniest creature that makes the biggest difference of all. Amusing speech balloons add to the fun of this humorous cumulative story.
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Move It on Over [Golden Stars]
Move It on Over [Golden Stars]
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Move Over Darling, 1964
Move Over Darling, 1964 - Giclee Print
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Move Over, Girl: A Novel
Move Over, Girl: A Novel
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Move Over, Girl
Move Over, Girl
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Move
Founded in 1978 by architect Steven Holl and bookseller William Stout in an attempt to skirt the editorial control of the reigning architectural magazine culture, Pamphlet Architecture has been disrupting the status-quo ever since. This series of small experimental volumes has introduced important ideas and spurred much-needed debate among students and practitioners alike.Pamphlet Architecture 23 carries on this tradition with a book selected in an open competition. Johanna Saleh Dickson's entry was chosen from over seventy submissions received from architects, academics, and students from across the nation and around the world.Her pamphlet investigates the events of May 13, 1985, when a bomb was dropped by police on a Philadelphia row house in order to evacuate its residents -- members of the radical organization Move. The fire that ensued killed 11 Move members and destroyed an entire city block. Tainted by these traumatic events, the reconstructed house located on the site has stood unoccupied for nearly two decades. Dickson proposes an architectural treatment that might facilitate and promote healing within the affected community.
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Move!
For their third and final album for the Dionysus label, the Boss Martians haven't moved too far away from their reverent yet formulaic rendering of mid-'60s West Coast teen rock, rockabilly, surf, garage rock, and power pop. In 1998, the Seattle-based band's longtime drummer, Dan Israel, departed from the group, forcing group leader/guitarist/vocalist Evan Foster to recruit former Untamed Youth drummer Joel Trueblood for their next recording sessions. Bassist Scott Betts was the next to leave, taking off on his honeymoon; he was replaced by Steve "Esquerita" Davis. Finally, drummer Jason Reavis came aboard, taking over for the substituting Trueblood. With this game of musical chairs going on during the recordings, you'd half expect the new lineup to have invigorated the group, but all it does is point out that Foster and his group don't seem to want to be taken too seriously anyway. For the most part, the Boss Martians are still replicating the same stuff they've been doing since they formed eight years earlier. Move! -- clocking in at a mere 35 minutes -- is a ramshackle mix of '60s song styles and subgenres, pinballing between vocal tracks and various odd instrumentals. Of the latter, the surfalicious "The Last Ride" has a nice vibrato electric piano break, while the perky "Intermission" is a bossa nova-meets-Korla Pandit bit of whimsy. "Trouble on Two Wheels" veers off the path and crashes into a Middle Eastern-sounding klezmer breakdown with a clarinet riff that couldn't possibly sound more out-of-place on a rock & roll album. Other instrumentals include "Chihuahua del Diablo," a slow, Latinesque surf instrumental with a sultry acoustic guitar lead, and "Pandilla en Motocicleta," which sounds like an uninspired mix of Davie Allan's polished '90s-style fuzz guitar and standard disco drumbeats. The vocal tracks fare better, though they're a scattershot mix as well. "Never Trust a Chick (In a 3 Window Coupe)" wouldn't have sounded too out of place on a Bobby Fuller Four's hot rod album. Several of the other tracks are muscular power pop, the kind that Paul Collins' Beat or 20/20 used to play back in the early '80s; not too surprisingly, both Foster and keyboardist Nick Contento also have a power pop band, the Mystery Action. The rumbling "This Time Around" has a ripping guitar lead and a simplistic synth riff that repeats, ad infinitum. Foster even tosses an unnecessary wah-wah guitar into the title track, "Move!" Foster's chirpy Beach Boys-style vocals are somewhat huskier throughout, especially on "She's In, You're Gone," which, as the leadoff track, is probably the album's best track. "Introducing - The 1971 Dodge Super Bee" and "Bad Ass Dodge '71 Super Bee" are just plain corny, nuff said, and the band's cover of the Kingsmen's "Little Sally Tease" comes across as largely uneventful. An unlisted bonus track is tacked on to the end of track 14. ~ Bryan Thomas, All Music GuidePerformers: $11.98 ![]()
Buy Now from Collector's Choice Music
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Move
"If emotion is best described as energy in motion, then photographer James Houston can be described as one who captures that energy and transforms it into art." —Karen-Jane Eyre, Editor, Not Only Black + White "His images suggest a thousand complex narratives. Amazingly, he captures the most ethereal art form in a way that a choreographer, whose work dies with the curtain's descent, can only dream of." —Graeme Murphy, Artistic Director, Sydney Dance Company Dancers from America's leading dance companies are brought together in award-winning photographer James Houston's unique photographic project created to benefit AIDS charities—Move. Move, a collection of stunning black-and-white photographs, captures the raw energy and emotion of movement. Pushing the human body to its physical limits, Houston creates unique images that go far beyond traditional dance photography. Over 60 of New York's leading dancers, from companies such as Paul Taylor, New York City Ballet, Pilobolus, David Parsons, and Alvin Ailey, gave their time to support the project. Included in this impressive lineup was renowned principle dancer Desmond Richardson, who starred alongside Catherine Zeta-Jones in the movie Chicago. Houston sculpts and directs the dancers' bodies with his graphic eye, creating powerful photographs that move and inspire. All author royalties will be donated to DRA (Dancers Responding to AIDS).
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Move
If there's any mystery about how to sustain an instrumental career over nearly two decades, just ask {$Earl Klugh} for the solution. Judging from the well-traveled acoustic guitarist's body of work, it seems to lie in staying true to a certain sweet sound
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Move
If there's any mystery about how to sustain an instrumental career over nearly two decades, just ask Earl Klugh for the solution. Judging from the well-traveled acoustic guitarist's body of work, it seems to lie in staying true to a certain sweet sound but continually changing the rhythmic and production trappings. After a few ambitious jaunts into the orchestral realm, Klugh on Move shakes up the formula with a mixed bag of logical twists: exotic percussion, African chant vocals, odd vocal effects, swinging rock-blues, and urban-flavored grooves. The result is an inspired new freshness. While sticking to his slick, melodic string style, Klugh infuses more aggressive energy into the pot. A few times, he even lets a harmonica and sax take the lead voice. Klugh's warm flavors have never gone out of style, but it's nice to get a visit from an old friend bearing new and unique gifts. ~ Jonathan Widran, All Music GuidePerformers: Perry Hughes - Guitar (Rhythm); Randy Jacobs - Guitar (Rhythm); Jimmy Ali - Bass; Ralphe Armstrong - Bass; Key Bullard - Vocals; Gene Dunlap - Drums, Percussion; Lawrence Fratangelo - Percussion; Thom Hall - Keyboards; Fred Hammond - Vocals; Kimme Horne - Vocals; Mitchell Jones - Vocals; Earl Klugh - Guitar, Keyboards, Mandolin; Ray Manzerolle - Saxophone; Greg Phillinganes - Bass, Keyboards; Karl Reid - Vocals; $5.99 ![]()
Buy Now from Collector's Choice Music
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Move
Dancers from America's leading dance companies are brought together in award-winning photographer James Houston's unique photographic project created to benefit Aids charities--Move. Move, a collection of stunning black-and-white photographs, captures the raw energy and emotion of movement. Pushing the human body to its physical limits, Houston creates unique images that go far beyond traditional dance photography. Over 60 of New York's leading dancers, from companies such as Paul Taylor, New York City Ballet, Pilobolus, David Parsons, and Alvin Ailey, gave their time to support the project. Included in this impressive lineup was renowned principle dancer Desmond Richardson, who starred alongside Catherine Zeta-Jones in the movie Chicago. Houston sculpts and directs the dancers' bodies with his graphic eye, creating powerful photographs that move and inspire. All author royalties will be donated to DRA (Dancers Responding to Aids).
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